Belabouring The Ink

Writing Tutorial

Belabouring The Ink


With reference books tucked away and thoughts hastily inscribed on paper or forged on screen, the reticent scribe would no doubt feel justifiably liberated. Except that, manuscripts are likely to undergo a series of disappointing rejections and stand to be debunked for one reason or the other. The writing phase is the primary portion of a much more intricate endeavor. It precedes the proofreading stage which verifies the effort started in the earlier phases of composition.

Sample Problem

Identify common methods for refinement of drafts. Notably, the demarcation of principle approaches to proofreading as the prime objective for improving the narrative effect of the essay.


Most writing effort is devoted succinctly to the penning and subsequent submittal of the assignment. Period. Ask one student to revamp a draft for clarity or organization and you may notice apprehension or disdain. Ask another student the same activity and you may be handed a masterpiece in the making.

In the latter, the draft is ripe for encouragement, effusing lines of reasoning that stand ready to be commanded into territory unknown. In the former, the draft has reached a plateau whose only release has been inexplicably eclipsed. In this instance, diffusion by the instructor is perhaps the only outlet for the student. Assuming the impasse is the result of misguided inquiry, the best recourse could be to formulate new questions that spawn from the reading, the problem, or any relevant digression of topic.

In the second instance, the writer has committed to a vision, harnessed the workmanship, and now openly gives the content its due diligence by exposing it to the scrutiny of the audience. The audience thereby points out lapse of judgment, expressive flaw, narrow reasoning, so on, so forth. Ideally, the writer competently redresses the intention and consequently realigns the substance beneath the narrative. This cycle of proving the thesis is limited only by the will and wont of the course constituent.

It behooves each type of writer, therefore, to perform perfunctory levels of proofing in order to make progress or to see the matter through to the end. Take the draft assignment and read many times over for fluency, error, substance, voice: at slower pace, by whisper, or in bellow. When the draft is read by another person, it provides an insight into discrepancies not immediately apparent to the author, in all facets of grammar. A draft that has stifled from lack of textual momentum can more than likely benefit from complementary sources that reverberate by providing a more thorough examination of the topic—in a depth of field that cannot be ascertained solely from the classroom textbook. To that end, reward being proportional to the amount of force exerted, duly applies, as it does among other disciplines that abound.

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